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Nothing Very Sudden Happens Here, from Lynx House Press, September, 2013, is a collection of poems by Alan Basting.
Copies of the book are available from Lynx House Press at www.lynxhousepress.org , and distributed by the University of Washington Press at the folowing link: http://www.washington.edu/uwpress/search/books/BASNOT.html
Copies are also available at Amazon.com.
The cover art is a painting by Evan Howell, titled simply, Table and Chairs.
Evan Howell began drawing at age two. Since, like other autistic people, Evan finds social situations difficult, he has made art his principal means of expressing himself and connecting with the world. He lives and works in Spokane, Washington.
Here are a few poems from the book:
CAROLINA REVERIE
Motoring roads
Through palmetto,
Tobacco, and trucks
With terrible labels
Like: Technical
Animal Fat, the
Silhouette
Of a little old town
Cuckoos with church spires.
But the evening's light
Paints and calms;
Sheets of clouds
Flatten under its
Soothing hands.
A history of cock fights and
Smoldering crosses
Swallowed up
In the silken body
Of the planet, laid out
Like Marilyn.
"Nothing very sudden
happens here," she lies.
PARVO CHRISTMAS
Even though you say
You've done all that
You can, you know
Your heart
Where the vine grows up
Has lied.
You could've paid
Another hundred bucks
To see the disease
Run its course.
Instead you left
The terrier, the present
Your kids prized more
Than hope
In the vet's cage
At the back of the building,
Near the autopsy table.
DANCING WITH MY EYES CLOSED
An auger churns a hole through humus
From a distance, a river flows into the sky
Standing in the current, a priest raises
Both hands overhead, shaking imaginary stones
A snarl of crows swoops low in the smoke
Of a well-fueled bonfire. Moths flutter like ashes
A pack of young hyenas breaks cover
Lopes away through crackling grass
Red-eyed, a ring-necked pheasant does the
Head-bob, head-bob. A lecturer calls out in tongues
The key to his room hung on the hook
Of a saxophone, its soul a shriek of lightning.
TEA TIME
Each of us orders the world a little
Differently, she spoke, setting her
Teacup in a saucer.
You shovel snow, mow grass, plant
Lines of well-pruned euonymus.
Always grooming, aren't we,
The face of this bloody planet.
Me, I use an old violin, long legs,
And a soft little nest between them.
I also blend this excellent tea.
Fanning pages of the phone book
Lying on the table, a bare knee
Slipped from under her robe.
What do you think? She asked.
Want to hear my etude?
DANCE SCHOOL
Hell yes
It pissed me off.
My mom said we
Could not afford them,
Dance lessons,
An excuse for the elite
To mingle with each other
And touch. I grew jealous
Of the confidence I saw
Rising in their faces,
The sound of their fathers' money
Shuffling in the background.
I would have broken her
Partner's legs
Muscling myself
Into their circle of smugness,
The influence dance lessons
Bought them.
I was certain they'd marry each other
And pity the unschooled ones
Like me.
EELS OF DESIRE
--for Adam Hammer
Odd boys in a league
Full of deer hunters
We fell in love with a name
And played like a circus of dust devils.
When we won which wasn't
Often
The opposition would spit
And finger us.
Ecstatic, we
Zoomed over their robust machismo.
Swallowing pride
And the fish hook of hate
They would come to us later
Like lovers
Begging for another chance
To play.
We knew in their hearts
They wanted to kill us.
FATHERING
--for Pete
I hear the finches first
Each morning
Shortly after five.
Their songs begin
Hesitantly,
As if they were running
Sound checks,
Tuning before the morning
Concert. I know this
Because I'm awake,
Thinking of you
Asleep three time zones
From Ohio.
Cones from native cedars
Fall through your dreams
Of the West:
Climbing carved and ragged
Formations in the Badlands
With your sister,
Her laughter crawling up
Behind you.
You were ten;
Your heart was bold
As a fox-tailed
Indian, sun at your back
Atop a wind-carved outcropping.
As your father
Squinting into the sun
From below, I worried more
About the business of falling
(throughout your life)
Than what was actually
Good for you; more about
Schooled refinements
Than putting the brass
Of confidence
In your pockets.
If anyone tells you
To act more
Like your father,
Stare straight through them,
As if they didn't exist.
MAGIC AL
--for Chris Howell, poet, friend, and ballplayer
Knowing it could not stop
The dead from passing
Or the leaves from drifting,
Morphing into banks
Of deep snow against the gray
& sullen barns of February,
I bought
A catcher's mitt--
Comforting as mashed potatoes
Steaming with my favorite
Gravy. By the time I have
Conditioned it with Neatsfoot,
Perfumed it with sweat,
There will be finches and
Baseballs in the air.
And I, Magic Al, will have
Escaped the cloaked cell
Of winter depression
Using only
A ball and glove...
Just in time, again,
To play some catch with a friend.
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